alskuefhaih
asoiefh
Showing posts with label Peter. Show all posts
Showing posts with label Peter. Show all posts

Tuesday, February 14, 2012

For loving days: another farm wedding!

-
-
the bouquet I carried in our daughter's wedding, dried in l'atelier;
with my stick woman

I love a wedding, with its organza and lace, armfuls of flowers, pretty white chairs, music, sacred ceremony, and dancing, though part of me would like to avoid expensive wedding balls, if they are built on prestige and poppycock. As for Valentine's Day, I have always felt that love is for every day, and a box of chocolates, though tasty, lacks a bit by way of imagination.

But ain't love grand? Mais bien sûr! Our son is just engaged to be married to a woman he is in love with, and so are we. They will be married here on our hobby farm in August, three years to the month after his sister was married to her love here on the farm. (I posted about their wedding here.) Once again we get to mix satin and straw, quilts and lace with Queen Anne's lace, golden sunflowers and golden rings. There will be games, Mason jars with lemonade and beer, blackberries and golden raspberries, family and friends, torches and bonfires, music and laughter, kisses and tears. These are our children, grown and happy. And won't James be bouncy in his seven-month baby fat watching Unkie Pete wed his bride and new auntie? Or will he be crawling after a damselfly dressed up in gorgeously iridescent tulle wings?







-
-

Sunday, September 11, 2011

Poem: September morning

-
-


September morning


He’s tall as a tower, my son — graceful
in the resilient way

of bamboo, lithely connected
at joints and knuckles.

With guitar he eases out
a tune’s vulnerabilities, bending

fingers and strings as if not
bending at all, as if he were himself

the curve of wind on
a leaf ribbon,

tapping dew-riffs out of air.
Wind is the maestro,

we the geniuses who play
our one sublime

sound — tapering,
sometimes stuttering, ruffled

into harmonics, being blown
with the rest into a song untouchable.






Our son took a bad fall last week and broke a bone in three places. It’s times like this, on this day of remembered tragedy, that we see how fragile and vulnerable we all are.

-
-

Sunday, June 12, 2011

Birth mandala, baby poem, and a wee announcement

-
I wrote a poem for my friend, the Renaissance woman Dutchbaby, at her request for the occasion of a baby shower for a friend. Dutchbaby introduced me to the idea of birth mandalas, which take Carl Jung's concept of mandalas representing the Self, to the next level: an image for a mother to focus her imagination on the emerging identity of her baby. That's one of Jung's mandalas at the right, which I happened upon after writing the poem, with its image of paisley.

Dutchbaby colored a mandala, below (from online mandala coloring pages), in PhotoShop for her expecting friend, who has Swedish heritage. From it I feel my own connection with Sweden through Grandma Olive. The blue and yellow remind me of tole painting on a pitcher or a barn's peak, or in Carl Larsson's kitchen. Dutchbaby paired my poem with her mandala as a gift to the mom-to-be Saturday. (Bless this baby, oh universe.)




Dutchbaby did not know when she requested the poem that we have our own baby on the way. I am going to be a gramma! And so I offer this poem not only to a friend's friend, but also for my daughter Lesley, and the little poppy seed growing inside her to the great size of a kidney bean at this moment, with webbed feet, a bulging head, and joints in her/his knees. Imagine.

Don and I are over the moon, and no amount of exclamatory punctuation is enough for what I feel, so I used just the one, but picture exclam-infinity. (Bless this baby, oh universe.) How about this photo of them with my nephew's baby, Evangeline? (Bless Eva, too.)


The multi-bonus is that Lesley & Brian are moving to Michigan where he begins a teaching job in the fall (exclam-infinity). We will be close by when baby enters the world (due in January), no need for booking flights at just the right time to NYC. Just hop in the car and drive an hour and a half.

Our son Peter (right, with his sister on her 30th birthday this year) just moved to L.A. to join his band Lord Huron (all the band members are from Michigan). Such is life, the child who lived close moves far away, and the one who lived far away moves close. But we are incredibly excited for Peter and feel, well . . . expectant about this change for him.

Dutchbaby's mandala and my poem are below.

A note about koans (in the poem title): When Dutchbaby told me that the expectant mom said the baby was "sitting like Buddha" in her belly, I decided to shape the poem in koan-like questions. (The image of a sitting Buddha also made me think of paisley.) A koan is a question a Zen sage asks a pupil that does not have an answer from the reasoning mind. A famous koan is: What is the sound of one hand clapping? "The master is not looking for a specific answer but for evidence that the disciple has grasped the state of mind expressed by the kōan itself." More on koans here. Samples of koans at The Gateless Gate. If you listen carefully to the podcast of the poem, you can hear the birds that chirp incessantly outside my office window. Does a bird's song answer the heart's questions?



Koan-like Questions of a Mother to her Unborn Child


Is there something quieter than sleep?
      My whispers circle you like jasmine vine, the way
      my arms want to, when my palm will cup your head,
      my thumb in the shallow petal of your temple.
      Terrace.

Where is the pocket in the nightshirt of early morning?
      You didn’t notice just now that I turned over in bed, rolling
      first onto my right side, then onto my left.
      Leaves everywhere on blue-white cotton.

What shape are you?
      In my teardrop body you sleep, sucking your thumb —
      puzzle piece in the circle of your mouth.
      Paisley baby, paisley thumb,
      paisley me, paisley breast. Lace.

What is grace?
      I pull myself up, like a camel, into a sitting position,
      lean left, push off, grunt, rise, stand, and low into the sway
      of this me, your cradle, creaking at my hips.
      Caravanserai.

Do you remember it, that hymn from the old church
through the window as we slowly climbed the stair?
      Holding the bedpost, carved like an altar,
      my eyes closed, up from the organ
      in my chest the music — unnamed song
      through the vibrating reed of my watery throat.
      Repeat.
      Stained glass moon. Bosphorus.

Can you see me in the dark?
      My hand rests on the olive of your shoulder,
      or is that a heel? Hush, keep sleeping, don’t worry
      about positions. You are touching everything
      in any case.
      Mountain magnolia blossom.



Listen to a podcast of this poem here. (You can hear the birds outside my office window if you listen carefully.)

Poem notes: 

Caravanserai: the fortress-like hostelries for sojourners on the Silk Road.

Bosphorus: the body of water between the European and Asian sides of Istanbul; 'bosphorus' means 'throat' in Turkish; Lesley went to school on the European side, crossing the Bosphorus every morning and evening from and to our home on the Asian side.


-
-

Monday, September 27, 2010

Mind, Body & Spirit

-
-
Friday we went to our son Peter's CD release party for his band April to Fall

Brian, left center, and my son Peter, right, are April to Fall;
Jeff and Jen contributed considerable vocal talent
to the new album "Straight Line to Your Heart"



Click this link to go to their site where you can listen to clips of the tracks on the album. Their sound is similar to Morrissey, with pleasing strong vocals and acoustic guitar, though in other venues they rock it out when Peter plays his electric guitar. I am not here to sell you anything, but you can figure out at the site how to buy the album on iTunes. I don't know yet how they are selling the CD. At the gallery at the site see photos of Peter and Brian I shot in my studio that Don and Peter converted from a chicken coop. At times I have felt that this studio - l'atelier - where I don't really create anything, except deep sleeping breaths in my hammock chair, is the center of the universe, my kilometer zero, so I'm happy this special place is featured at the center of the CD cover, below. The party was in Rochester, Michigan, which has a homey 100-year-old downtown. (Downtown Rochester photo found here.)


Brian and Peter inside the CD cover -- a photo I took in l'atelier

Besides the big celebratory joy of one of Peter's musical ventures, I was geeked to finally tour and eat in the first-and-only certified organic restaurant in Michigan, Mind, Body & Spirits. The upstairs dining room was the venue for the party. Mike, the owner, is also the one who started the record label (Lazy Day Records) releasing its premier album, April to Fall's "Straight Line to Your Heart". Mike has his entrepreneurial hands in several companies, all of them organic in one way or another.


That's Mike in the middle, with Dennis, my niece Amy's husband, to his left;
I don't know who the gentleman looking at the woman with the camera is - nice smile!


Last October, Mind, Body & Spirits was awarded the Certified Organic Restaurant status (the first and only one in Michigan). Mind, Body & Spirits is one of just thirteen restaurants in the U.S. that not only serves organic and locally grown food, but is also where each and every aspect of the physical building and furnishing is eco-conscious.


I ate certified organic rib-eye steak, though I eat beef only a few times a year;
the finger-length potatoes and Bernaise sauce were YUM;
(I didn't eat it all, there was plenty for lunch the next day)


From their web site:

Mind Body & Spirits was built to inspire and help people…

Mind..

Our 100+ year old building, which was renovated using many of the latest and century old technologies to operate as sustainable as possible, continues to provide a public classroom to progress our children and adults through its education.

Body..

Being a certified Organic restaurant, we only use the purest ingredients for our menu, and as our customers consume our seasonally inspired dishes it will help their bodies on its natural path to wellness without compromising the flavor or your pocket book!

Spirits..

I truly believe that when a person consumes food made with a “conscience” or love, your inner spirit begins to burn stronger….and I will toast to that with a nice glass of organic wine!


My inner spirit was flying around the room as I took pictures. Snapping photos really is a good way to sneak around and nose in and get closer to people you want to get closer to. They don't mind you doing that if you have a camera, at least that's what I've found. I just ate up their smiles.

Everything in the restaurant is made of recycled and/or sustainable materials, from reused and reconstituted brick, to bamboo and cork floors. Every piece of furniture is made from sustainable structural materials and fibers.


 Jeff, Lindsey and Andrea chatting
on furniture made from recycled and sustainable materials


The heating and cooling system is geo-thermal, which means plumbing goes 10 feet deep (3 meters) and water circulates through the earth with its core temperature of 55°F (12.8°C), naturally cooling the building in summer and heating it in winter. There are solar panels on the green roof. Mike would like to get off the electrical grid eventually, with a wind turbine and solar panels providing all the power they need on site.

The roof terrace is covered with tiles made from recycled tires. Vegetables are grown in pots, used for the menu and also for decoration, though the nasturtiums, peppers and tomatoes below are a bit summer-weary now that September is almost done. The tables and chairs on the terrace are manufactured from recycled plastic milk bottles.


 Roof terrace tiles made from recycled tires;
I think maybe a few glasses of wine have dribbled on these tiles

My niece Amy (Ginnie's daughter), next to terrace furniture
made from recycled plastic milk cartons

Potted terrace plants of vegetables, now a little summer-worn


My favorite part of the building is the greenhouse. To go to the restrooms, you have to walk through this space, which is brilliant, since part of Mike's vision is to educate not only the children of Michigan about renewable practices, but also adults. The "wall of water" consists of tubes full of standing water that absorb heat from the sun through the greenhouse windows, then radiate it to keep the greenhouse warm. The solid cement brick wall to the right in this photo absorbs the sun's heat in the winter months when the sun shines lower through the windows. I'd like to go back during the day, for lunch and a daylight tour.


 Wall of water lining the greenhouse

Don stands by the wall of water, which absorbs heat 
from sunlight through the greenhouse windows
for heat in long cold Michigan winters


Herbs and other plants for the restaurant are grown here in the greenhouse.



Amy is standing by the rain water receptacle;
rainwater is used to water the plants.


The quick composter takes 200 pounds of food garbage a day (vegetable and animal matter except bones), then dehydrates it. The water removed is used to water the plants throughout the restaurant, and the dried matter is composted further, since it is still too "hot" to be used by farmers. Restaurant staff set it out every Saturday morning for residents and farmers in the community to help themselves, and compost it for their own use. Have you ever seen a restaurant without a dumpster out back? Mind Body & Spirits has no dumpster. They recycle everything. The restaurant Director of Operations, Ed, along with his dad, take the leftover cooking oil from the restaurant and make bio-diesel for his 1970s Mercedes Benz, which smells like French Fries while he drives.


Quick composter-dehydrater

Dehydrated and composted food ready to take out back 
to the receptacle for pick-up by local residents and farmers


Among the savory food, the groove-inducing music of the band, Peter's musical accomplishment, family from Atlanta and friends from around Michigan, all wrapped in cozy intimacy, and the eco-consciousness of the restaurant, I was energized and stimulated in mind, body and spirit all the way until midnight! Me!

But will I be able to stay up all night for the Willow Ball? Two late nights in one week. Maybe Willow has a sofa, like this one I had my feet up on . . .




And Man created the plastic bag and the tin and aluminum can and the cellophane wrapper and the paper plate, and this was good because Man could then take his automobile and buy all his food in one place and He could save that which was good to eat in the refrigerator and throw away that which had no further use.  And soon the earth was covered with plastic bags and aluminum cans and paper plates and disposable bottles and there was nowhere to sit down or walk, and Man shook his head and cried:  "Look at this Godawful mess."  ~Art Buchwald, 1970
-
-

Thursday, August 19, 2010

Family (H)art

-
-

Come in, come in, just follow the crowds (hehe). I hope you don’t mind if I indulge myself. I have created a gallery of visual art by members of my family. It’s my gift to me mostly, an acknowledgement of the love of growing up with Art as a recurring character in our family tree. It’s long, but you can be grateful that every single member of my family is not represented. In total we number 70 living souls, if I count correctly (math is not my strongest subject), but I am only including the visual artists, several of whom have passed on. I'm sharing 15 artists in all. I am defining visual art narrowly, as what you can hang on a wall (except for one exception, one of Lesley’s). Please click on the images if you’d like to see the details enlarged. I’ll start from oldest to youngest, except me. I’ll be last, but it doesn’t mean I’m saving the best for it. I’m just trying to be polite. Of course just look at pictures if you don't want to read all the information about the artists. I wouldn't blame you one bit, I know you're busy. This is documentation for my family and me as much as anything.

DISCLAIMER: I took photographs of many of these images, or the artists did, so there might be glare, or distortions. Blur your eyes when necessary.

Welcome, won’t you come in? Would you like an audio guide? They’re only $5. Or you can leave your photo ID. (I don’t really have an audio guide, I was just kidding.)

Corn, by Grandma Elizabeth

1 Grandma Elizabeth  b. 1870 d. 1957. My dad’s mother was 47 when Dad was born (and his dad, also a minister, was 70 when Dad was born and fought in the Civil War!), and I do not know if I met her. She died in Charlottesville, Virginia less than a year after I arrived. When my older siblings knew her, she was deaf and used an ear horn to hear. I know little else. Were we ever surprised when Dad was dying gently on a hospice bed in his dining room in 1995, and someone found this corn painting of Grandma’s in the attic. We had never seen nor heard of it, or that she was an artist. Lucky me, it’s hanging on the wall in our bedroom. (We don't have a formal dining room, where it would be more appropriate.) Sorry about the glare and distortion, I tried to photoshop it out and just couldn't get all of it.



2 Grandma Olive  b. 1891 d. 1960. I’ve posted about Grandma Olive, my mom’s mother, many times at this blog. I have no memory of her, she died when I was 3 or 4. After graduating from the Art Institute in Chicago, Olive was a professional artist/designer/illustrator in the 1920s and 30s. She designed clothes for Vogue and wallpaper for Thibaut. Her pen and ink drawings illustrated World Book encyclopedias and newspaper ads. You know that curious little sepia girl studying life from my sidebar? It’s one of hers, from a page in World Book, below. In this gallery I’ve also included a cabinet she painted that now lives in our family room. Mom said her mother used to go tromping on the streets of NYC looking for dilapidated bargains and would bring them home and doll them up. Below is also her cover illustration for the Bayonne Times (she resided in Bayonne, New Jersey) when the NY Holland Tunnel opened – the world’s first vehicular tunnel.



Illustration in World Book Encyclopedia, Grandma Olive

The "bastard" cabinet (so-called by an antiques dealer
who said it mixed many styles)
that Grandma Olive rescued and painted

Cover and detail in the Bayonne Times, on the event
of the opening of the Holland Tunnel, by Grandma Olive




3 Uncle Jimmie  b. 1906 d. 1994. My dad’s 10-year-older brother. The subject of a poem I posted. Uncle Jimmie had his own printing company, and he used to send us calendars at Christmas with prints from his carved woodblocks. Woodblock prints require a long, arduous and painstaking process, with a different block carved for each color, leaving the rest of the design uncarved and left for another block, then having to align everything perfectly.

Woodblock prints, by Uncle Jimmie 




4 Mom  b. 1916 d. 1997. Though my mom was a musical artist (pianist, choir director and composer), not so much a visual one, I’m including sheet music from an operetta she wrote based on Alice in Wonderland, which I only just learned about from my niece Shari, herself a splendid pianist, who inherited her grandma's handwritten sheet music. It has Mom's maiden name on it, but I have no idea when she wrote it. I think the flourishes of musical note flags are lyrically and visually beautiful. I sat by my mom on the piano bench as a toddler while she composed, watching her play a phrase, then transcribe the notes onto staff paper, painstakingly, one phrase at a time. Eventually I started pounding out melodies after hearing them repeated so often, surprising everyone. Too bad I didn't turn into a prodigy.




My mom's composition of the operetta, Adventures of Alice in Wonderland, never published




5 Dad  b. 1917 d. 1995. The image of him at right is the day he pronounced Don and me Husband & Wife. In his early days as a minister, my father supplemented his income with signs he painted. He was a fine pen and ink artist as well and created his own bookplate, below. Engravers duplicated the image on his and Mom's gravestone. Hart was his name, but it was also an animal (another word for deer) in a beautiful Psalm verse that represented his heart for God: As the hart panteth after the water brooks, so panteth my soul after Thee, oh God.  ~ Psalm 42:1.

Dad's pen and ink bookplate.

Mom and Dad's grave stone, with Dad's art work
(that's the headstone of my childhood Dr. Garlock behind)




6 Boots, aka Ginnie  My sister.

I grew up watching Bootsie draw. She drew this girl very early, in high school I think. Now she uses Soul Girl as her avatar at In Soul, her blog, after I suggested it, since it so perfectly represents her spirit. She is also an inspired photographer, and I am including a photo of windmills, one of her favorite symbols. She lives near Amsterdam with her wife Astrid, where they are legally married. (When oh when will we catch up in the U.S.?) I like that both these images are about wind. Her blog is In Soul and her photoblog is Hart & Soul, where she unfolds her beautiful eye and insights into life.


Soul Girl, by Ginnie




Windmills, by Ginnie




7 Bennett  My brother, who passed away in 1996.

I’ve blogged about Bennett a lot. I think there is no one who has shaped my world view more than he did, eight years my senior. He loved to shoot rustic scenes in Nova Scotia and New England. He shot this Greek Orthodox priest in Greece in the 1970s. (Do you think they were related?) Bennett died before the advent of digital photography, and I think he would have loved it, though he also had his own dark room and loved to spend hours deep into the night developing prints. I have no way of knowing if this print I photographed was one he was happy with, since he discarded so many out of perfectionism. My photo of it also does not do it justice, and one of these days we’ll need to scan it or its negative (I think one of my nephews Paul or Todd, see below, might have Ben’s negatives). This photo, which he made a very large print of, won grand prize at a photography show, and was breathtaking. I have also included the poster he used to advertise his work. The grasshopper was his “avatar.” (Again, sorry for the glare on that one.)


Greek Orthodox priest, by Bennett

Bennett's photography show poster



8 John My brother.

John and Bennett are in the photo at right at the Acropolis in 1970 -- John is on the left; click to see their handsome faces better. John is my closest sibling in age, four years my senior. We spent many hours at the kitchen table sketching, and I was always amazed at his abilities. Strange story of synchronicity: As I was preparing this post last weekend, Don found the following charcoal John did of our dad in our barn in my dad’s things, quite by accident, accompanied by the touching poem. In a quick phone call to John he told me he believes he created them together sometime in his teens. I'll type out the poem here, because it touches me and expresses something of my own sense of things growing up.

You were tall and I was small—
I gazed wide-eyed at your legs and feet.
You’d hear the ring, then answer the call
and head off down the street.
(I tried, when you walked,
to follow along, but your steps were hard to reach).
And it seemed to me you never talked,
except to pun or preach.

Your silent side was good for me;
it helped me grow inside.
I watched and listened, and I could see
the heart you couldn’t hide.
I remember well one hurtful day
how you loved me in your quiet way.
You stood at my door with tears in your eyes;
your heart reached for mine with pain-laden sighs.

When I was liddle I watched you diddle—always on your knee;
You were tall and I was small, but I knew it was just for me,
‘cause after awhile—
you’d smile.

~ John



charcoal of Dad, poem to Dad, by John



9 Todd  My nephew – my sister Nancy’s son.

Todd is a web and graphic designer, among many other things. The first image, titled “Esther,” is a pen and ink drawing he created in high school. Todd has also started a photography business doing photo shoots with models (his web site is here). The second image of Margaret was shot during a photo session at our farm.



Esther, by Todd
Margaret, by Todd, shot at our farm



10 Paul  My nephew -- my brother Jim’s son.

Paul's four kids are often his photo subjects. Paul provides design for software professionally and is also quite successful selling his photos at iStock on the side. (His best seller? A hospital emergency sign.) I fell in love with these two portraits of his kids Lydia, Eli, Aden and Clara, when he posted them at his flickr photostream, taken at our family cottage about a month ago. In fact, these images were what got me inspired to do this family gallery. They remind me of a cut-out silhouette we had done at Knott’s Berry Farm when Lesley was little (right).



Clara and Aden, by Paul

Lydia, Eli, Clara and Aden, by Paul, at our cottage





11 Mark My nephew -- Ginnie/Bootsie’s son.

Mark shot this spontaneous family portrait of us on the frozen lake over New Year’s one year. That’s our family cottage on the hill in the upper left of the photo. Mark is a computer programmer and also studied photography at the Maine Photographic Workshops. I’m trying to remember why we were smiling so geekily in this photo, I think we had just been skating around and slipping on the sliding ice like spazzes. We’ve paused for Mark and are holding on to each other for dear life. Oh! I just noticed . . . that scarf hugging Lesley's head is one of the only things I've ever knitted.

Family Portrait, by Mark




12 Rachel My niece – my brother John’s daughter.

Rachel lives in Utah with her husband Swede and is dying to have her own studio to create art again. She teaches English and math to special needs students in middle school. I just love this acrylic Paris painting, her own version of Starry Night. Don't Swede and Rachel look like they were just tango-ing?

Paris, by Rachel



13 Lesley   My daughter.

Lesley went to art school in Detroit (College for Creative Studies), earning a Bachelor of Fine Arts in Interior Design, and a minor in Fibers. I have some gorgeous wearable art she has made. When she has time and energy after working very hard as a commercial interior designer in NYC, she knits, makes beautiful jewelry and creates re-styled clothes from vintage. I have included her charcoal self-portrait from art school, an interesting technique of covering the paper/canvas with charcoal then rubbing out the drawing with an eraser. Below that is a photo of a retail space she spent about 18 months designing with her boss at Spin Design where she still works, including the design of custom furnishings. I am especially fond of the gold mesh chandelier "sheaths." It is the Swiss watchmaker Audemars Piguet’s newly opened flagship store on 57th Street in NYC. I think the least expensive watch they sell is about $10,000, so please do browse -- you might bump into Arnold Schwarzenegger or Meryl Streep, who are AP customers. I like the juxtaposition of Lesley’s bohemian art school self and the posh watch store.



Self, by Lesley






















Audemars Piguet flagship store, designed by Spin Design (by Lesley and her boss)




14 Peter   My son. 

Like my mom, Peter is a remarkable musician (guitarist, arranger). But he is also an artist and amateur photographer. This painting is one he did in Advanced Placement Studio Art in high school, in the manner of Peter Max. The photograph below that is one he shot in Hilo, Hawaii. Peter continually inspires me with his photographs and also excels at videography. (The photo of Peter and me is from a few years ago.)





Purty Gerty, by Peter
Hilo puddle, by Peter



15 Me My self.

I can draw some, but I don’t apply discipline or practice, so just sketching something once or twice a year means I haven’t developed my skills. The sketches span decades: a young man in a magazine while I studied abroad, Hal Holbrook as Mark Twain a couple of years back, an imagined girl 20 years ago, and a drawing for a Christmas card around that same time. If this is not your first visit to this blog, you know I love to take photos. The first photograph below is probably a favorite of mine, shot early one morning in October 2006, when I went out on Horseshoe Lake where our family cottage is, in Lesley’s kayak, with my little point and shoot Olympus. I watched the moon set and the sun rise in that two hour float. If you look very closely, you can see geese on the water at the left. The next photo is the same lake, same morning, the sun rising in fog, just about 30 minutes later. It may look silent, but dozens of geese were honking (like vuvuzelas). It is a strange feeling to hear something so loud and close, that is invisible.

Sketches, by me


two photos of Horseshoe Lake
top: moon setting -- can you see the geese in the mist at the left near the horizon?
bottom: 30 minutes later, sunrise
by me

Well, that's it! Thank you very much for visiting my family gallery today. I know it was long. Bravo for getting down to here. You can put your audio guide thingie over there by the door before you leave. Now the sun is up, and I hope you found some visual pleasure in the comfort of your chair.

There is more artistic talent in my family, including Nelson who designs kitchens, Susan who plays piano like a goddess, Nancy who decorates houses that should be in magazines, Jim who has skilled craftsman hands, and their many children, and their children, who are fragrant with artistic talent as well.
-
-