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Showing posts with label Instagram. Show all posts
Showing posts with label Instagram. Show all posts

Thursday, June 28, 2012

Farewell

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purple carrot flowers on the farm

With some sadness I am putting my blog to sleep. I'd like to think of synch-ro-ni-zing going into hibernation, rather than permanent sleep, but who knows? Most hibernating animals go into the long sleep in winter, but I'm choosing the hottest day of the year in Michigan to tuck this little bird into its nest. (I guess birds don't hibernate, do they?)

I've been at this six and a half years in the best time of my life. I've practiced writing and photography,  and I've made friends with extraordinary people. All is well with me and my family, my grandson is a growing joy, our son will be married in August, and life is very good. I am simply feeling creative energy flowing elsewhere. I may post photos from the wedding here as I did from Lesley's. In any case, I'll keep in touch.

I've started several blogs as my oldest friends know. I reserve the right to start another, which I may do when I begin arranging flowers for the new restaurant of dear friends when it opens. Nina and Tony run The Purple Carrot food truck, which has the best food in town, bar none. They will open the Red Haven restaurant in late August. In the meantime, you can find me on Instagram, the photo sharing app for iPhones and Android phones. My name there is ruthie822.

A few nights ago we watched the 2011 version of "Jane Eyre" and loved it. Mia Wasikowska is my favorite Jane to date. I didn't realize then that I would be saying goodbye to synch-ro-ni-zing so soon or use a quote from Charlotte Brontë's novel to say it:

Then you and I should bid good-bye for a little while?
I suppose so, sir.
And how do people perform that ceremony of parting, Jane? Teach me; I'm not quite up to it.
They say, Farewell, or any other form they prefer.
Then say it.
Farewell, Mr. Rochester, for the present.
What must I say?
The same, if you like, sir.
Farewell, Miss Eyre, for the present; is that all?
Yes.
It seems stingy, to my notions, and dry, and unfriendly. I should like something else: a little addition to the rite. If one shook hands for instance; but no—that would not content me either. So you'll do nothing more than say Farewell, Jane?
It is enough, sir; as much good-will may be conveyed in one hearty word as in many.
Very likely; but it is blank and cool—"Farewell."

It is blank and cool, and I'd rather get a hug from you.
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Friday, June 22, 2012

June bug

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Diane Wakoski preparing to read poetry at The Scarab Club


In Michigan in June we see lots of June beetles banging against lighted window screens and we also see them dead on the sidewalk like pieces of broken brown bottles.

I went inside one very alive beetle this week. Once a golden scarab that could have been the Paris of the Midwest, Detroit is of course now littered with crumbling empty buildings and brownfields, photographed and even relished the world over for its "urban decay porn." But there are jewels in the city that are protected and showcased by loving enthusiasts. James and Kim hosted a poetry reading Wednesday by Diane Wakoski in the heart of Detroit's Cultural Center at The Scarab Club, across from the Detroit Institute of Arts, where Diego Rivera's famous Detroit Industry murals glow. When I walked into the club with Diane, Robert and Heather the space lit by the towering garden window opened me up like a beetle flying to light. Paintings by students from the art school Lesley attended backdropped Diane's reading of her poems about movies.

Afterward some of us had dinner at the Union Street Cafe on Woodward Ave. Listening to James and Kim talk about the club I realized once again how little I know about the Detroit scene. It is alive thanks to the people who believe in its heart and culture.

Here is a poem by Diane that conjures elements of summer and Detroit for me. I have these episodes of inspiration to get inside Detroit. And then I get distracted by my university and country life a couple of hours away.




Inside Out
By Diane Wakoski 
I walk the purple carpet into your eye
carrying the silver butter server
but a truck rumbles by,
                      leaving its black tire prints on my foot
and old images          the sound of banging screen doors on hot
             afternoons and a fly buzzing over the Kool-Aid spilled on
             the sink
flicker, as reflections on the metal surface.
Come in, you said,
inside your paintings, inside the blood factory, inside the
old songs that line your hands, inside
eyes that change like a snowflake every second,
inside spinach leaves holding that one piece of gravel,
inside the whiskers of a cat,
inside your old hat, and most of all inside your mouth where you
grind the pigments with your teeth, painting
with a broken bottle on the floor, and painting
with an ostrich feather on the moon that rolls out of my mouth.
You cannot let me walk inside you too long inside
the veins where my small feet touch
bottom.
You must reach inside and pull me
like a silver bullet
from your arm.
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Sunday, June 17, 2012

Father's Day: a case for pushing kids out of the nest

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These orphaned robin's eggs that Don found on the ground while he mowed around the spruce tree are normal in the earth's economy. If everything survived, the world would be overrun. Yet I tend to side with the prey, not the bluejay who knocked the nest out of the tree while he raided and stole eggs. There is a mothering instinct in me that wants the defenseless to be protected, and survive.

It's Father's Day in the U.S., and I am feeling grateful that my husband and father of my two children agreed with Goethe: "There are two things children should get from their parents: roots and wings." I work with college students, and I witness the growing trend of "Velcro" parents to stay involved in the daily (or hourly) comings, goings, successes and failings of their college children. Truth is that the kids are half of that sticky Velcro and seem to want to be in touch many times a day by text. The roots are strong, the wings not so much. (I couldn't wait to be off on my own.)

There is a fantastic article about breaking up with parents written by Terry Castle, the literary critic and professor at Stanford (Susan Sontag called her the most expressive literary critic alive today). I felt something shift when I read it. She uses literary orphans to demonstrate how strong and resilient humans become when they are forced to survive on their own (so many! "Witness Little Goody Two-Shoes, Pollyanna, Heidi, Little Orphan Annie, Kim, Mowgli, Bilbo, Frodo, Anne (of Green Gables), Dorothy (she of Toto and Auntie Em), Peter (as in Pan), Harry (as in Potter)". The article is "The Case for Breaking Up with Your Parents" in the Chronicle of Higher Education. It is long. It is excellent.

Of course we live in times of economic hardship, and some of our adult kids have to live with us now and then until they catch a break. The real point of the article is that we must raise children to think for themselves. Imagine a society of independently thinking people.

Happy Father's Day!
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Friday, June 01, 2012

Carpe viam

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Carpe viam
"seize the road"
was Horace's alternative
in space
instead of time

diem and viam
both symbols
of the circle
we live

the simple flight
of stones
seized and thrown

first rising
then falling

to become the road
in the end
(that never ends)


June 2012
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