alskuefhaih
asoiefh

Monday, June 30, 2008

looking in the mirror

Art history aside (since I know too little to go down that road, I say with shame), artist biographies aside, are there pieces of art you identify with?

There must be.

When I first saw this portrait of Jacqueline Roque, one of Picasso's wives, I identified with her sharp edges, because I always felt my own needed softening.



'Jacqueline with Crossed Hands'
Pablo Picasso
1954
Oil on canvas
23.6" x 31.5"
Musée Picasso, Paris, France.


On the other hand, Jeanne, soft and pliant in the yellow sweater is more the direction I would like to move.

Or maybe somewhere between.






'Jeanne Hébuterne with Yellow Sweater' ('Le Sweater jaune')
Amedeo Modigliani
1918-1919.
Oil on canvas
39 3/8 x 25 1/2 inches
Solomon R. Guggenheim Museum

New York City

Saturday, June 28, 2008

Maybe


STORY 1

An old farmer in Iowa grew wheat, soybeans, alfalfa, and hay for many years on his 2,000 acres. Then one year ethanol producers demanded more and more corn, so the old farmer decided to plant corn in all his fields. His neighbor came to visit. "Such good luck, corn is up from $3.50 a bushel to $5 next season!"

"Maybe," the farmer replied. And he sold his future corn at $5 a bushel, expecting to harvest 180 bushels of corn per acre. ($1.8 million)

In the spring devastating floods swept through levees and rose to record levels in Iowa, ruining more than half of the old farmer's corn crop. He would have to BUY the future corn he'd sold, at the current rate of $7.80 a bushel, a much higher rate than expected, in order to provide the corn he'd promised his buyers.

An old farmer in Michigan did the same with his fields, switching to corn from soybeans and hay. His neighbor said the same as the Iowan farmer's neighbor, "Such good luck, corn is up to $5 a bushel!"

"Maybe," the Michigan farmer replied. With the bad luck of massive flooding for the Iowan farmer (and also for farmers in Illinois, and in Indiana, and in Missouri, and in Wisconsin and in Minnesota) costing them millions of acres of lost crops and futures selling, which turned into having to purchase corn to fulfill contracts with buyers, the demand for corn only rose, pushing the price up and up so that the old Michigan farmer would earn more on his corn crop than he ever dreamed (currently $7.80/bushel @ 180 bushels/acre).

~ ~ ~

STORY 2

Farmer Don had a little 5 acre farm with beautiful, mature trees surrounding his house, providing shade in the hot summer. His neighbor came to congratulate him, "you are so lucky to have such beautiful tall trees to protect your house from the hot summer sun."

"Maybe," replied farmer Don.

Then a violent wind storm tore through the farm and split the prettiest maple with a honeybee hive in two, causing the tree to fall across his driveway.

"What terrible luck!" his neighbor said.

"Maybe," replied farmer Don. But he happened to have six strong men visiting who helped him chop up the pieces of fallen tree and move them out of the way. The men all told him, "what terrible luck to lose this tree full of honeybees!"

"Maybe," replied farmer Don.

When the men were gone and he began to clear away the fallen tree he looked up and saw the thin, old catalpa tree that had always been dwarfed by the maple before it had fallen in the violent wind. He was looking at the open sky around the catalpa tree when his neighbor came by, and he too looked up at the opened space allowing sun to fall on the catalpa tree, with rich but few white blossoms and heart-shaped leaves.





"Look! How lucky you are that the maple tree fell so your catalpa tree can thrive and grow bigger, providing beauty and grace to your farm."

"Maybe," replied farmer Don.





















These stories are based on the old Taoist story "Maybe.":

There is a Taoist story of an old farmer who had worked his crops for many years. One day his horse ran away. Upon hearing the news, his neighbors came to visit. "Such bad luck," they said sympathetically. "Maybe," the farmer replied. The next morning the horse returned, bringing with it three other wild horses. "How wonderful," the neighbors exclaimed. "Maybe," replied the old man. The following day, his son tried to ride one of the untamed horses, was thrown, and broke his leg. The neighbors again came to offer their sympathy on his misfortune. "Maybe," answered the farmer. The day after, military officials came to the village to draft young men into the army. Seeing that the son's leg was broken, they passed him by. The neighbors congratulated the farmer on how well things had turned out. "Maybe," said the farmer.












Wednesday, June 25, 2008

living at the cemetery


At age 78 my father died before my mom, of lung cancer within just six weeks of diagnosis, although he had never smoked a cigararette, cigar or pipe. Mom had a long, gradual loss of brain function to Alzheimer's, and when Dad died she was at that stage when she seemed pretty normal on the surface, until she'd do or say something odd. For instance she would get up at 2am, take everything out of the refrigerator, and spread it out on the kitchen table for breakfast, then go wake whoever was sleeping to come and eat.

(After Dad died, my sister Nancy took care of Mom for a grueling and heartbreaking six months in our family home, until Nancy thought she'd lose her mind, and we moved Mom into a charming home where people with dementia were given expert and loving care, where she lived until she died in her sleep 18 months later.)

In the busy days when we were working out arrangements for Dad's funeral (he was a small town minister, so choosing the right minister and deciding which of the two town funeral homes were tough decisions), Mom would wake up each morning and ask, "Where's Daddy?" even though she saw him take his last breath on his hospice bed set up in the dining room, surrounded by all but one of their 8 children, some of their spouses and some grandchildren. We would tell her, each time, "Dad died, Mom." And she'd begin to wail, as if hearing it for the first time. "How did he die? Oh, I can't believe it!"

After the funeral and hubbub were over and it was just the two of them at the house, Nancy was daily repeating this answer to Mom's morning question, with the same resulting fresh grief. One day Nancy realized she needed to utilize "Alzheimer's logic" and not worry about little things like telling the truth - not easy for a minister's daughter.

So when Mom asked one morning, "Where's Daddy?" Nancy replied, "Dad lives at the cemetery now, Mom."

Mom: "Oh! Really! Oh, that's nice."

It clicked, it was fine. No more grief. In fact whenever friends came to pay a visit, she would tell them "Carl lives in the cemetery now," to explain his absence.

I leave you with a portrait of Mom at the start of her brilliant life (at about the same age as I am in the top photo), before graduating high school and starting Smith College at age 16, before being crowned Best Athlete in both schools (field hockey in which she could play both right and left wing, swimming, tennis, basketball), before developing her encyclopedic mind, before expert proficiency at the piano, before writing scores of songs (including this one written to the tune Finlandia by Jean Sibelius; this one is sung on Mother's Day at churches throughout the U.S., because there are very few hymns written about family), before devoting her life to God as much as any nun except that she married, before loving each of us 8 kids with Mother's Day cards at breakfast, telling us she wouldn't be a mother if it weren't for us.

Mom's birthday is tomorrow, June 26. I didn't even remember that until now, a few hours after posting this. I guess she is in the air.

Monday, June 23, 2008

hand thrown

When Gwen posted a watercolor ode to her hand thrown mug made by a potter friend, I remembered the feel of bygone hand thrown mugs wistfully.

But oh! We have a hand thrown earthen mug in our very own home that has never been filled with anything but pens. With mixed shame and pleasure, I rescued it from a little seen alcove table in the sewing/treadmill room. Lesley had bought this beautiful piece of craft from a fellow art student named Rochel and given it to Don, but the handle-less vessel didn't call to his hand, or to mine at the time.


















I abandoned my factory made snowman mug, also given to Don, by one of his students, and poured hot coffee into the earthen mug.








How had I settled for the straight, smooth factory ceramic when I could have felt the slight curve and the subtle striations in my hand and the slightly thicker glossy glazed lip on my lips, and looked at the artistic Rothko squares instead of a cartoon snowman?

And I never hold a mug by the handle anyway.