The woods near Arcadia, Michigan; that blue haze at the horizon is Lake Michigan
I hope you can put up with winter a little longer.
I loved being with my raven sister on the weekend, up in our part of the world, the place we went as kids on vacation in the northwest finger of the mitt of Michigan. We took down Christmas ornaments and lights in the lodge. It’s her hobby to decorate, and I helped her de-decorate. I wound thousands of white lights into balls, for hours while she wrapped 1,500 glass ornaments into boxes. I don’t care about decorating any more, but I got to be with her and watch her in her glorious element. And we watched the Oscars in her cozy condo in the hundred-year-old lodge.
Beach Lodge, one of the buildings at Portage Point Inn
Outdoors I got to breathe, walk and listen to the "nothing" of winter in that great north country, among spruces, pines, and birches on the hills around frozen Portage Lake and up on the bluff at Arcadia looking out over Lake Michigan. In winter, these contoured hills, coned trees, and white and green clapboard buildings of the lodge are quiet, unlike in summer when tourists swarm to the aqua waters of northwest Michigan. Only a few lodgers spent the night under neighboring roofs. Hardly a vehicle passed as we parked on the shoulder of M-22 and crossed to climb the lookout over Lake Michigan. Snow quiets and slows everything, even up the road where skiers were shushing down the hills.
Across Lake Michigan, to the right, is Wisconsin, about 60 miles away; elsewhere Lake Michigan gets to 118 miles across
I claim this quiet northern winter, though I have never lived there. I spent two weeks of summer vacation with my family at a cottage up the road for just a few years, half of which are prior to my memory. A few weeks’ making, and this terrain is mine. I don’t know if I will ever move to another state. (I have done so previously, even to another country.) I drove four and a half hours to be there Saturday and four and a half hours back again Monday. It was worth it, but how could I move even farther away?
Before winter is over, I have to post the winter poem: The Snow Man, by Wallace Stevens.
The Snow Man
by Wallace Stevens
One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow; . . .
And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter . . .
Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves, . . .
Which is the sound of the land
Full of the same wind
That is blowing in the same bare place . . .
For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.
-
I have a story from our first trip to the grocery store when we moved back to the States from Istanbul. Breakfast in Turkey had been pretty black and white: fresh white oblong-round bakery bread delivered warm by the doorman, fermented black olives, white goat’s cheese, and black tea. Take it or leave it. Lesley and Peter were five and four when we moved to Istanbul, and they remembered breakfast cereal in the States. They kind of missed it. Well they missed it a lot. Except for the occasional scrambled eggs with onion, green peppers and tomatoes (Don made them irresistible as “cowboy and Indian eggs”), black and white Turkish breakfast was the only option.
We came to enjoy it, but when we moved back to Michigan when they were seven and six, we promised to take them to Meijer where they could each pick out any box of breakfast cereal they wanted. We four turned the corner into the breakfast aisle with our cart. It stretched before us into the distant future, the far end in the chilly fog of the dairy shelves. The kids grabbed the first box that looked appealing and threw it in the cart. Within a few inches there was Tony the Tiger on a box of Frosted Flakes, and they grabbed it and put the other one back. Then we came to the Leprechaun and Lucky Charms, and another switch. Stretching on through the long gallery of cardboard art there were Cap’n Crunch, and Fruity Pebbles, Fruit Loops, Lucky Charms, Sugar Smacks, Apple Jacks, Kix, Chex and Trix, Honey Nut Cheerios, Count Chocula, Golden Grahams, Cinnamon Toast Crunch, Coco Puffs, Rice Krispies, Coco Krispies, Frosted Mini Wheats, Sugar Crisps, Corn Pops, Alpha Bits, Ghost Busters and Teenage Mutant Ninja Turtles! Swap swap swap from the cart, then back to the shelf and back to the cart. By the end of the cereal aisle they were in a sugary chaos coated with salty tears. I have no idea which cereal boxes we took home.
Sometimes I wonder how long we’ll have all the choices we have, or if they’ll increase! I learned when the kids went through finicky eating phases to just say, This is dinner, take it or leave it. I think it’s a relief not to have choices all the time. At the end of a draining day at work, I do not want Don to ask me Do you want Indian? Mediterranean? Thai? Mexican? I just want him to tell me, Let’s meet at Maru for maki rolls.
So this post is a toast (remember Post Toasties?) to Hobson’s Choice now and then! Which means, This is it, take it or leave it. There's no choice really, only one option, but you don't have to take it. Here's how it began:
Thomas Hobson, 1544-1631
Etching by John Payne at the National Portrait Gallery, London
What's in his bag? Remember letters? Hobson was a mail carrier between London and Cambridge, England, where he had a livery stable near St. Catharine's College, one of the constituent colleges of Cambridge. He had around 40 horses in his stable, and he rented them to Cambridge students. Some of the horses were very fast, and the young whipper-scholars always wanted to ride those fast ones. But Hobson didn't want them to wear out his best horses, so he developed a strict system of rotation. When a student came to the stable to rent a horse for a few hours, he had to take the next horse in line at the front of the stable: This one or none, he said. Take it or leave it.
John Milton, 1608-1674
Long before John Milton wrote the epic poem Paradise Lost in his sixties, he was a mere witty Cambridge student at Christ's College and soon afterward wrote humorous poems about Thomas Hobson. Milton must have rented a horse or two from Hobson's livery, for after Hobson died, Milton and other Cambridge alumni made up satirical poems and illustrations with horses, carriages, puns and witticisms, poking fun at the old guy. In fact, it was Milton who made him famous, "you can have any horse you want, just so long as it is the one nearest the stable door." Henceforth in literature, this was known as a Hobson's choice.
Henry Ford, 1863-1947
A couple of centuries after Milton and Hobson, carriages became horseless, and another man with a livery, Henry Ford, famously said a Hobson's choice: "Any customer can have a car painted any colour that he wants so long as it is black."
Charles Laughton as Henry Hobson in David Lean's comedy film "Hobson's Choice"
I never knew until a few weeks ago that David Lean didn't just make epic films like "Lawrence of Arabia" and "Doctor Zhivago." We watched his brilliant 1954 comedy "Hobson's Choice" and it is now one of my favorite shows ever. I had not heard of the term "Hobson's choice" before seeing the film, hence this post about its provenance. Lean's movie is about Henry Hobson, an arrogant shopkeeper who sells boots with his daughters and gets the rug pulled out from under him when his eldest daughter gives him an ultimatum one day: Take it or leave it. I am going to embed a clip from the movie below, so you can see how lithely a big man like Laughton can fill the screen as a swaying, slapstick drunk.
John Mills was absolutely fantastic as humble Willie Mossop, Hobson's prize bootmaker.
John Mills as Willie Mossop in "Hobson's Choice"
I take my leave with a movie clip from "Hobson's Choice" where Charles Laughton shows the grace of a ballerina as the drunk and annoying Henry Hobson. Take it, or leave it. Or as Dorothy Parker said, Take me or leave me; or, as is the usual order of things, both.
In light of the Oscars tomorrow, I'll also remind you that David Lean "was nominated for a total of nine Academy Awards: seven for Best Director, one for Best Adapted Screenplay, and one for Best Film Editing, the latter two being for 'A Passage to India.' Out of these nominations, Lean won two Oscars, both in the category of Best Director, for 'The Bridge on the River Kwai' (1957) and 'Lawrence of Arabia' (1962). With seven nominations in the category of Best Director, Lean is the third most nominated director in Oscar history, tied with Fred Zinnemann and behind Billy Wilder (8 nominations) and William Wyler (12 nominations)." (wiki)
I had searched for an audio of a lark, without any satisfying results. Now, after Lorenzo's comment about "The Lark Ascending" by Ralph Vaughan Williams, I am posting a recording of it. I listened to it for the first time today. It is so incredibly beautiful, I just sort of sit speechless, in tears of listening. Please give it your rapt attention if you can take the time for all fifteen minutes.
Original Motown Records site on West Grand Ave in Detroit
In the junior department at Sears, buying school clothes for my sophomore year of high school with my stylist (my sister Nancy) and Mom, I heard strings and French horns out of the store’s music speaker of a song by then so familiar and adored that my eyes closed involuntarily and my head fell back in a feigned swoon fifteen-year-olds do so well, resulting in a look of disdain on the face of my mother. The song was “Just My Imagination” by the Temptations, one of the many musical groups with countless hits that burst out of this little homemade studio called Motown.
My high school years spanned some of the most thrilling, volatile and frustrating times of my country’s history: 1970-74. We learned about the Watergate scandal and listened to impeccably dressed men testify in hearings on TV (and watched that one wife). Daily on our living room couch we listened to Walter Cronkite behind his TV news desk announce the number of American soldiers killed that day in Vietnam. My brother Bennett wore a black armband in his 1970 college commencement in protest of the war. That year The Temptations of Motown practically spit out the lyrics of their song “War”: War . . . huh . . . what is it good for . . . absolutely nothin’!
War was at a distance. I had no brothers or personal friends fighting in Vietnam. I lived in a small Michigan town far from peace protests in big cities, although Kent State was awfully close in the next state of Ohio, and there were campus protests at our local university. It was through the music collected by my brothers that I felt the war, and it was how my worldview and politics were shaped. I never saved enough money from babysitting to buy my own record albums, so I listened to the radio and played my brothers' albums on the turntable in the bay window while I ironed pillowcases, t-shirts, handkerchiefs and boxer shorts in the dining room. Besides Joni Mitchell's Ladies of the Canyon and Blue albums, I also listened to folk songs of peace by Joan Baez and Pete Seeger, Lennon’s “Give Peace a Chance” and “Imagine,” Cat Stevens’ “Peace Train,”“Fortunate Son” by Creedence Clearwater Revival. Crosby, Stills, Nash & Young, my favorite band in those days, had a protest song following the Kent State massacre called "Ohio." There was even a band named "War" with a song "Why Can't We Be Friends." Along the way were sprinkled funkadelic love songs and war songs out of Motown, like The Temptations’ “War.”
The Temptations' song "War" was so popular that fans wanted a single (remember those?). Motown songwriters Norman Whitfield and Barrett Strong decided to release a new more blatant version by Edwin Starr, a different artist, so as not to upset conservative Temptations fans. It's awfully hard to sit still when you listen to music out of Motown, something has to move. I can feel myself wanting to get out on the street in protest when I listen to this song. "War can't give life, it can only take it away!" Someone said Music is the language of lovers. I'll talk more about that, in relation to Motown in another post, but truly, music was one of the healthiest and most powerful ways my generation responded to the travesties being orchestrated in the world.
I was almost oblivious to the fact that some of the music I loved best was being produced down the road in Detroit at Hitsville, U.S.A.: Motown Records, founded by Berry Gordy Jr with an $800 loan from someone in his family. It was the first record label owned by an African American. I just took this music as it came, loving it, but not claiming it as part of my local geography. My older sisters and brothers had heard little Stevie Wonder sing in Lansing when he introduced himself at a Youth for Christ rally: I’m Stevie Wonder, and I sing for Jesus. He signed on with Motown at age 11. Stevie Wonder is now the only remaining artist from the early days on the Motown label that included Smokey Robinson and The Miracles, The Temptations, Marvin Gaye, The Four Tops, Diana Ross & The Supremes, The Jackson 5, Gladys Knight & the Pips, among many, many more.
The Chrysler ad that recently inspired me to turn my attention to Detroit got me out to visit the Motown Historical Museum Saturday, which just happened to be Smokey Robinson’s 71st birthday (February 19). The museum duplex was the original site of Motown Records 1959-1972, after which Berry Gordy moved it to Los Angeles. Smokey and his musical group The Miracles provided the foundation for Motown’s artistic success, and Motown’s founder, Berry Gordy Jr was Smokey’s mentor. Berry made Smokey Vice President of Motown, which he remained until Berry sold the company in 1988 (for $61 million, not including music rights sold later). I'll tell you more about my two hours in this beautifully preserved, humble space that produced some of the most electrifying and long lasting music ever, in future posts.
This Thursday the Obamas will host Smokey Robinson and other Motown singers in another of their "In Performance at the White House" concerts, this time honoring Motown’s music. They have already honored other American music genres with concerts and workshops for students: classical, Broadway, Latin, country, jazz, and music from the Civil Rights movement. It will be aired on PBS March 1. I don't know if anyone will sing what Rolling Stone ranked as the fourth greatest song of all time, but the man who co-wrote and recorded it won't be there to sing, sadly. The song was written and released under Tamla, the original Motown label, and one of the multiple subsidiary labels Motown eventually created. It was a turbulent time of war and race tensions. You can see some of that history in the photograph montage in the version I've chosen, below. Marvin Gaye himself had a troubled life, and it ended in a terrible episode of domestic violence on April Fool's Day in 1984 when he tried to intervene in a fight between his parents. His dad had a loaded gun. It went off, killing Marvin the day before his 45th birthday, making this song an incessant question that never seems to live into an answer.
I'll post more about Motown, and Detroit, in the days ahead.
What's Goin' On
Mother, mother
There's too many of you crying
Brother, brother, brother
There's far too many of you dying
You know we've got to find a way
To bring some lovin' here today - Yeah
Father, father
We don't need to escalate
You see, war is not the answer
For only love can conquer hate
You know we've got to find a way
To bring some lovin' here today
Picket lines and picket signs
Don't punish me with brutality
Talk to me, so you can see
Oh, what's going on
What's going on
Yeah, what's going on
Ah, what's going on
In the mean time
Right on, baby
Right on
Right on
Father, father, everybody thinks we're wrong
Oh, but who are they to judge us
Simply because our hair is long
Oh, you know we've got to find a way
To bring some understanding here today
Oh
Picket lines and picket signs
Don't punish me with brutality
Talk to me
So you can see
What's going on
Yeah, what's going on
Tell me what's going on
I'll tell you what's going on - Uh
Right on baby
Right on baby
~ Written by Renaldo "Obie" Benson, Al Cleveland, and Marvin Gaye
